AWARDS
Inaugural Environmental Justice Artivist Fellow, Aspen Institute + Social Art and Culture, Washington DC, February - November, 2024
Bresler Resident Artist, The Metropolitan Center for the Visual Arts (VisArts), Rockville, Maryland, January-May, 2023.
Mutual Aid, F.E.A.S.T finalist + complimentary award recipient, The Metropolitan Center for the Visual Arts (VisArts), June 2022.
EXHIBITIONS
Gestures of Disappearance (artist/curator), VisArts Center, Rockville, Maryland, February 7-March 17, 2024.
Zion, Let My Children Hear Music (curator), Black Rock Arts Center, Germantown, Maryland, October 7, 2023-January 20, 2024.
Farming Takes Skill (solo show), Stand 4 Gallery, Brooklyn, NY, July 6-August 12, 2023.
Without Title (group show), Cultivate Studios, Kensington, Maryland, March 8-26, 2023.
Drawing After Dark (group show), Ursa Gallery, Bridgeport, Connecticut, January 18-February 18, 2023.
Bresler Resident Artist, VisArts, January-May, 2023.
The 90s Onstage (group show), Salt Beyoğlu & Salt Galata, Istanbul, Turkey, September 15, 2022-February 15, 2023.
The 19th Annual “Art On Cardboard Show” Project Onward (group show), Chicago, IL, November 18-December 3, 2022.
A Degree of Uncertainty (group show), Stand 4 Gallery, Brooklyn, NY, November 6-December 13, 2020.
Natural History (solo show), Threshold, Brooklyn, NY, September 11-October 31, 2020.
Erasures (solo show), BAF Gallery, Brooklyn, NY, May 9-June 16, 2019.
Black Mirror: Art As Social Satire (group show, in collaboration with Dominic McGill), Saatchi Gallery, London, UK, September 28, 2018 - January 13, 2019.
Amputease: Flirting with What’s Missing (group show), Chicago Artery, Chicago, IL, May 22, 2018.
Available (a site specific installation), Gowanus Dredgers Gallery, Brooklyn, NY, April 21-July 18, 2018.
Et Tu, Art Brute? 2018 (group show), Andrew Edlin Gallery, New York, NY, November 17, 2017 - January 28, 2018.
Extraordinary Popular Delusions and the Madness of Crowds (in collaboration with Dominic McGill), Derek Eller Gallery, New York, NY, October 14 - November 12, 2011.
REVIEWS
"How artists' works leave a carbon footprint", Mark Jenkins, Washington Post, March 1, 2024.
RECENT PUBLICATIONS
"See the Art From Protests Against Netanyahu’s Visit to Congress," Hyperallergic, July 24, 2024.
"10 Exhibitions to Visit in Washington, DC, This Summer," Hyperallergic, June 10, 2024.
Bloom and Doom, Bored Wolves Press, Krakow, Poland, 2023.
"Activists Protest Deal That Protects Sackler Family," Hyperallergic, December, 2023.
"The DC Art Gallery Operating From a Freight Elevator," Hyperallergic, November, 2023.
"11 Art Shows to See in Washington, DC, This Fall," Hyperallergic, October, 2023.
"10 Art Shows to See in Washington, DC, This Summer," Hyperallergic, July, 2023.
"An American Apocalypse," Maggot Brain, June, 2023.
“Laurie Anderson Takes Stock of Today’s Unpredictable Weather,” Hyperallergic, July 13, 2022.
“Decorative History,” Covid Magazine, No. 12, April 2021.
“Cosmic Tunes For Mental Therapy,” Maggot Brain, No. 4, March-April-May 2021.
“Unfazed by the Pandemic, Frieze Aims to Carry On,” Hyperallergic, March 21, 2021.
“A Movable Feast,” Maggot Brain, No. 3, December-January-February 2021.
“After White House Fence Comes Down, Its Activist Art and Posters Move Nearby,” Hyperallergic, June 29, 2020.
“Portraits of Palestinian Life in America,” Hyperallergic, May 10, 2018.
“An Artist’s Portrait of State Violence in a Contested Corner of Turkey,” Hyperallergic, May 1, 2018.
“Documenting Experiences of Mecca Both Sacred and Irreverent,” Hyperallergic, January 15, 2018.
“Radical Art from the Past Decade, from Tahrir Square to Recife,” Hyperallergic, July 20, 2017.
“What Can We Learn from Dystopian Fiction About Climate Change?” Hyperallergic, June 30, 2017.
“The Graphic Idealism of the 1970s US Radical Left,” Hyperallergic, March 20, 2017.
“Why We Still Need Thomas More’s ‘Utopia’ in 2016,” Hyperallergic, December 23, 2016.
EDUCATION
PhD, University of Cambridge, Cambridge, UK, 2008
MA, McGill University, Montreal, Canada, 2002
BA, Hunter College, City University of New York, 2000